Wasting Time With Too Many Vst Plugins And Samples

For any modern producer, a sampler is essential. However, if you’re strapped for cash or just starting out, it can be difficult to find good-quality sampler plugins that actually work and add to your beats.

Wasting Time With Too Many Vst Plugins And Samples Loops
Wasting Time With Too Many Vst Plugins And Samples Packs

Download Plugin. Zampler by Plugin Boutique is an excellent add-on for electronic musicians as you can download drum & bass, hip hop, even dubstep expansion packs. The sampler has 3 LFOs and a large effects library including chorus, phaser, tube saturation, and many more. There are 2 sample banks and 3 ADSR envelopes for full modulation control. Jump down to the Plug‑ins/VST section and tick the 'UAD1 synchronous mode' option. The VST Plug‑ins section of the Reaper Preferences window is the key to accessing multiple folders full of plug‑ins, and to tweaking the CPU settings for use with UAD1 DSP cards.

Luckily, we’ve cut through the weeds and compiled 9 of the best free sampler VST plugins out on the market today.

Free Sampler VSTs

Without delay, here are our top picks. Sit back, relax, and explore these excellent samplers.

Grace Sampler by One Small Clue

The Grace Sampler is simple, sleek, and suited to synth users. The sampler has optional patches free for download on its website, most of which are for synths, but there’s also a couple for drum kits, keys, and bass.

This sampler comes in both 32 and 64-bit versions, so you won’t have to worry about compatibility from device to device. With most DAWS, you can drag and drop your samples right into the sampler, simplifying your workflow.

Grace Sampler comes with 2 step sequencers, 2 LFOS, and 4 different control pads. The sampler supports WAV, AIF, and SND formats directly which is impressive for a free plugin.

Grooove by BPB

If you’re looking to create some vibey drums, Grooove by BPB is a great pick. This drum sampler is perfect for techno and EDM musicians, looking to create catchy, unique loops.

The plugin has different slots in which 2 different drum samples can be layered and played simultaneously. The slots all have built-in LFOs for altering filter cutoff, sample delay, pitch, and standard attack, volume, pan, and start/end times. Luckily, the VST is supported in both 32 and 64-bit versions.

Grooove BPB is the free version of a full-on instrument, so if you like the notable sampling capabilities that come with the free VST, the purchased version by brunsandpork is a great step up.

TX16W Software Sampler

The TX16W software sampler has a wide array of features that usually only come with paid plugins. With this sampler, you can record samples directly and edit keyboard mappings making it a great pick for musicians looking to incorporate their DAWs into live performance.

As for modulation, the sampler has 2 LFOs and 3 step sequencers. Velocity and mapping can be handled by drawing a custom curve or using the integrated knobs. The plugin also acts as a bus so you can send in and out effects in real-time.

TX16W has 64-bit support and has a built-in arpeggiator, for a paid add-on, you can have time-stretch and pitch-bend modes. For free or otherwise, this plugin is no joke.

Sforzando by Plogue

Sforzando prides itself on its simplicity, with no graphic visualizer. There’s only one sample slot, with no effects or mixers.

The plugin simply consists of standard ADSR knobs, volume, pan, tone, and tune controls. Although this may feel limiting, for seasoned producers looking for a specific sound that doesn’t need a whole lot of extra fluff, Sforzando can be extremely helpful.

If anything else, the plugin works as a great ear-training tool and can train musicians to rely on their skillset rather than software. It comes with 64-bit support.

Zampler by Plugin Boutique

Zampler by Plugin Boutique is an excellent add-on for electronic musicians as you can download drum & bass, hip hop, even dubstep expansion packs.

The sampler has 3 LFOs and a large effects library including chorus, phaser, tube saturation, and many more. There are 2 sample banks and 3 ADSR envelopes for full modulation control.

Zampler has a step sequencer as well as sample oscillators for you to further tweak your sound. Unfortunately, Mac users only have 32-bit support. Windows has both 32 and 64-bit support, but any sample formats outside of sfz must be converted.

Paraphrasis by VirtualAnalogy

Paraphrasis helps you create those retro analog tones with any sample. Simply place your sample into the Paraphrasis sampler, and the modeling synthesizer will analyze the sound data to produce a more classic sound.
This VST is pretty simple, and the UI reflects that; there’s simply a pitch, resolution, analyze, and source toggle with no extra bells or whistles. There’s only one slot to the plugin, but on the upside, it doesn’t take up a large amount of CPU.

There’s also a handy reverse toggle, so you can reverse your sample before giving it that added analog touch. Some users had trouble using this plugin in 64-bit though it supports both versions, so make sure you’re downloading the proper .dll when acquiring this plugin.

XTT01 by Synthedit Labo Japan

The XTT01 has that classic rack-mount feel and is designed to give you a sound reminiscent of the past. This sampler is known for its signature glide function.

This VST is pretty bare bones. There are the standard ADSR knobs to toggle the filter and amp envelopes, and a built-in LFO with speed, PW, and depth knobs. You can also pitch shift by semitones within the sampler.

XTT01 has no visualizer, so it’s a great tool to use for musicians who are more auditory based learners. You can only load one sample at a time in this plugin. Unfortunately, this simple yet powerful sampler only supports 32-bit software, so it may not work for you if you have more modern equipment.

Bassje by Odosynths

Bassje by Odosynths is a great drum sequencer to give your beats the funky groove they’ve been missing. It’s loaded with 3 different toms as well, so if you’re just looking for a great tom loop generator, Bassje is a great addition to your library.

The plugin is separated into two main sections: An octave and filter sequencer. Nothing can describe the sounds you can get out of this puppy other than using is. Bassje has a volume, reso, and volume knob.

Its retro UI speaks to the nature of the plugin, as it’ll generate patterns very reminiscent of physical drum machines. For any musician trying to create retro-inspired music, Bassje is perfect.

Helios by TobyBear

Helios is an impressive audio sampler unit that is meant to be used during live performance. It has 8 different LFOs, including 2 that sync up to the sample’s tempo.

This plugin is able to tweak a sample is real-time with pitch-bending, looping, delays, and LFO filters. You can drag and drop wave files directly into the interface, making it ideal for DJs or musicians who have to improvise often. Unfortunately, it only supports a 32-bit connection so newer equipment may not work with this plugin.

What We Recommend

Any of these VSTs are excellent to try out but there are two that stand out in our minds:

Grooove BPB

Grooove BPB stands out in its flexibility and abundance of features for a free plugin. With 6 different drum slots and a variety of effects, it’s a versatile sampler that can act as an effect bus if nothing else.

Oftentimes rhythm is the core and soul of music production, so having a drum sampler to assist in that process is priceless (literally).

TX16Wx Software Sampler

This sampler is a full-on replacement for any stock sampler you may have, and then some. No other sampler can compare to this VST’s level of flexibility: With separate windows MIDI mapping, envelopes, modulation, arpeggiator, and samples themselves, it’s hard to believe that this plugin is free.

Another great thing about this plugin is the ability to record and drag samples directly into the interface. This may seem like a small factor, but for the right producer, it can significantly simplify your workflow.

Paid Plugins

If you’ve tried out a couple of these free options and you’re looking to take the next step, be sure to check out our guide on the best-paid sampler VSTs of 2019. Here are our two standout picks from that piece.

Phalanx by Vengeance Sound

Phalanx is an impressive sampler and sound effects generator that is very versatile in use. The plugin has a number of optional expansion packs catered to specific genres of music, so you’re sure to find one that works for you.

The plugin has a polyphony threshold at 256 notes, and 32 single samples can be played at once. In addition to its bevy of embedded effects, Phalanx holds its ground when used as a drum sampler.

Polygon Sampler by Glitchmachines

This sampler is relatively affordable, making it a great paid VST to consider in your transition. Although it is mainly geared towards electronic music, the unique user interface and 120 embedded presets make this a fun tool for any producer.

If anything else, this sampler surprisingly works well as a synthesizer with an impressive 8 LFOs. It has a lot of granular synthesis capabilities, making it a great way to boost your low-end frequencies without altering the timing of your samples.

The Essential Plugins You Should Use

If you don’t know what plugins to choose from, quite likely you will end up wasting a lot of money and hard drive space on trying out unnecessary plugin software.

It is best to stick the basics of what you need. From the basics, you should seek to achieve sonic mastery by becoming competent in the essential tools.

When you break it down, there are only a small portion of essential VST plugins that you need to handle the necessities of recording and editing any audio.

What are the essential plugins?

All the essential plugins you need will come in just four general categories:

Virtual Instrument Plugins – also called VSTi
Effects Plugins – sometimes referred to as Effects processors
Dynamics Plugins – sometimes referred to as Dynamic processors
Emulation Plugins

Of course, we’ll need to break it down and we’ll find that these two categories consist of subcategories. So let’s take a look at those.

Virtual Instrument Plugins

VSTi’s are plugins that emulate actual musical instruments. They come in a few different types:

Samplers
Softsynths
Drum Machines

What these plugins do is emulate the sounds of a real live instrument in your digital audio workstation. You can “play” these virtual instruments using a midi controller/instrument, or you can write the notes into your piano roll using your mouse.

Sampler Plugins

A sampler takes samples of recorded sound and plays them back. These tend to require the largest amount of GB space in terms of size, simply because they require lots of audio files to be saved onto your system. These audio files are what will be retriggered for playback within your DAW, usually via MIDI controller.

A sample could be anything from a drum kick to a note on the piano. The high-quality ones record them at various “velocities” (soft or loud). Once you trigger a note within the VST from your MIDI controller or from your DAW’s piano roll, the sound sample will be reproduced.

Read: MIDI Controllers for Music Production

Softsynths

A soft synth takes up far less space, but will use up more CPU power.

Softsynths are software synthesizers (hence the name) that work just like your analogue synthesizers, employing various methods of audio synthesis to produce digital audio.

With a synthesizer, you can construct and create new sounds. Practically any sound you like can come from a synthesizer, you’d just have to first learn how to use the various parameters of a synth. Once you do, a whole entire world of sound design will be open up to your fingers and ears, with limitless possibilities and potential.

Drum Machines

A drum machine VSTi is just as the name suggests. It is a drum emulation software that creates looped beats and grooves. They are usually more often used in the electronic music genres, like house, but can be utilized in other styles of music as well.

The basic function of a drum machine is to create groove beats and rhythms that can be looped over and over. A good drum machine VST will give you good sounds to use, whether synthesized or sampled. It will have the ability to alter the effects of those sounds using EQ and other effects. You should also be able to create multiple loops that you can trigger to play at various points in your track.

We have just covered the first broad category of plugins. Now we will take a look at the second category, the type of plugins that don’t (usually) make any sounds of their own, but will go a long way to enhancing the sound of your virtual instruments and audio recordings.

Effects Plugins

Effects plugins are used to change or adjust the sound of the audio coming in and going out of your digital audio workstation.

Generally speaking, but not always, effects processors work in the “time domain,” meaning, they alter the way the sound is perceived or produced within time, to produce a desired effect.

They are essential plugins to have, if you want to get any satisfactory sound from your music. Examples of these are:

Reverbs and Delays
Choruses
Flangers and Phasers

Reverbs and Delays

Wasting Time With Too Many Vst Plugins And Samples Loops

Reverbs and Delays adds an extra tail of sound to your audio. Reverbs are called upon to add more room and space to your sound, like the sound of singing or playing in a small room or a large theater. They can be very important for vocals, giving the singer presence in the mix. In the studio context, this usually means recording them “dry” and then using either a software or hardware reverb plugin to add the desired effect of space and room.

Some reverbs, like spring reverb plugins, act simply as an effect. They work by thickening a sound and providing more presence to drums, vocals, or guitars.

Delays are also called echoes because they produce an echoing feedback effect on a sound. Similar to reverb if you want to add space to your sounds.

Wasting time with too many vst plugins and samples free

Choruses

Choruses double or multiplies your audio signals to make it seem as if there are multiple instruments or voices being played back. Also a good effect for adding presence when you use it right.

Most likely, the DAW that you’re using has all of these plugins already. In many DAWs like Studio One, Pro Tools, Logic Pro, Reason or Ableton, the plugins that come with the software would already be enough to use. Especially if you’re just starting out, but even after you’re an advanced DAW user, you can still rely on the plugins that come with your DAW.

Flangers and Phasers

Flangers and Phasers give audio an unusual “wah-wah” effect to your audio. These are usually effective in cutting out some frequencies and allowing the instrument to sit well in a large mix. But you can also use it for the effects they provide.

Dynamic VST Plugins

Dynamic plugins are dynamic processors that alter the amplitude of the audio signal to provide desired results. This means, the will either boost or cut parts of or whole frequency sections of an audio signal to change the way it sounds, or otherwise change the way the signal’s loudness is perceived.

Some examples of dynamic processors are:

Equalizers (or EQ for short)
Filters
Compressors and Limiters

EQs and Filters

Equalizers allow you to adjust the amplitude of specific or ranges of frequencies in your audio. That means, you can make the lower end (bass) louder or softer, narrow in on certain sounds you’d rather not hear, or boost, or reduce or increase very high sounds in your audio.

These plugins are essential when mixing vocals, or any other instruments, since they carve out spaces for each audio signal to occupy in a mix. That way, one’s fighting for space to be heard. You can find here some examples of professional third party EQs for vocals. Otherwise, the ones that came with your DAW should suffice if you’re just starting out.

Also, filters, another type of plugin, work like EQs, but they allow you to “filter out” entire ranges of frequencies. This can be a useful effect when combined with software automation within the DAW.

Compressors and Limiters

Compressors and limiters are essentially the same things. They both affect the perceived loudness of audio by reducing the volume of loud sounds in your music, or amplifying the quiet sounds. Doing this “compresses” the audio signal’s dynamic range to just a small difference between loudness and softness.

Limiters do the same things, except that it reduces the volume attack (transients) much faster, giving quieter sounds and frequencies the ability to amplify more, therefore increasing the perceived loudness.

There is also another kind of compressor called the “de-esser,” which is designed specifically for those frequencies where you have that “SSS” sound. This removes sibilance from vocals and also from instruments like hi-hats, guitar and bass slides.

Emulation Plugins

Because we work on digital audio files, there’s a tendency for music purely mixed on a DAW to lose that the sort of character that a great sounding mix would normally have.

In this case, you reach for an emulation plugin that, like the name says, “emulates” the sound of analog hardware studio devices.

Some of these plugins come in the form of equalizer or delay/reverb plugins that we mentioned above. But if you can use a plugin to add the sort of warmth that recording on a tape machine would provide.

Though not entirely “essential,” to some, these plugins are a must have, especially when you get into mixing and mastering music.

A similar plugin is also the harmonic exciter. While not an emulator, both these hardware and software variants provide that brilliance often necessary in a dry digital mix.

How many plugins do you need?

The best advice is to start with the very basics of each plugin type. If you keep your choices down to the bare essentials, and learn to use these plugins well to do all the things you need for your production, mixes, and recordings, you’ll have an easier time with keeping yourself from “plugin overload”.

Does this mean that every other plugin you find on the internet is going to be useless? No, maybe even the opposite, because starting with the basics, you have a solid framework of what you’d like from a plugin, and what works for you and your music.

Here’s the thing, if you don’t even know how to use a basic plugin to its full potential, you’ll get lost in all the other features that come with more advanced plugins with all its fancy bells and whistles.

Final thoughts

As you can see, these are just an essential set of VST plugins that you need to use. The plugins that were mentioned will be enough to do all that is required in your production or mix. Once you’ve mastered the basics, you can move on to other advanced third-party stuff, or experiment with using a different type.

Naturally, each plugin comes with its own style and way of doing things, so you may find that you develop your own favourites over time.

Wasting Time With Too Many Vst Plugins And Samples Packs

In the end, continue to have fun. You can give yourself permission to play with your own plugins, and get some new plugins to try out. But as you do so, remember to keep things simple. There’is an acronym for that, actually: KISS – Keep It Simple, Stupid.