By making your headphones behave a bit more like loudspeakers, the CanOpener Studio crossfeed algorithm allows you to recreate, on headphones, the rich sonic experience of listening to high-end speakers in a finely tuned room. Combined with a gorgeous equalizer and serious monitoring controls, CanOpener Studio is great for tracking — allowing performers to get the perfect headphone mix, and it’s also equally useful on the master output — to help correct or enhance your monitoring environment.
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- Proven Goodhertz crossfeed algorithm
- Baxandall treble & bass equalizer, borrowed from Tone Control
- Extensive monitoring features: Mono, Flip L/R, Polarity, Dim, Balance, Compensation
- Soft Start: Gently starts playback, avoiding loud transients
- Safe Gain: Avoids clipping, regardless of equalizer or crossfeed settings
- Mastering-grade dithering, borrowed from Good Dither
Getting to know CanOpener Studio
“CanOpener conjures speakers from your headphones.”— Damon Kurkowski, Pitchfork
What’s wrong with headphones?
Under the right conditions, headphones can be excellent, high-fidelity monitoring tools. In reality, though, these conditions are rarely met, and headphones often end up sounding unnatural, uninspiring, and fatiguing when listened to for long periods of time.
The main “problem” with headphones is that most music is still created (recorded, mixed, mastered) on speakers, with tools that were primarily designed for loudspeaker playback. Compared to speakers, music often sounds overly “wide” when listened to on headphones, as if there were a section missing from the center of the stereo image. Headphones also offer poor externalization (i.e. mono sounds typically appear to originate from inside the listener’s head as opposed to externally). Similarly, headphones often have irregular, exaggerated, or unnatural frequency response curves, either because they were designed that way or because they lack the natural bass reinforcement that would occur in a real room with speakers.
Crossfeed — Less is more
CanOpener Studio takes a less-is-more approach: fix the bad things about headphones with as little coloration or alteration as possible. Rather than emulate a specific studio control room or loudspeaker setup (along with all its flaws), the CanOpener crossfeed algorithm uses an idealized loudspeaker & room as its guide and gives you the control to use as much or as little of it as you need.
CanOpener Studio in use
Breaking down the details
Some CanOpener Studio FAQs
What CanOpener settings should I use?
Crossfeed 100%, 60º is a great place to start (the Mix Engineer preset). It’s quite lifelike and perceptually matches a real-world set of studio monitors very closely.
150% crossfeed is technically more lifelike (see the Mix Engineer, Lifelike preset), but it can sound overly narrow on some headphones.
If you want the flattest possible frequency response, setting the Crossfeed Angle to 0º will achieve that (see the Mix Engineer, Flat preset). It’s less true-to-life but can be useful in situations where realism is less important.
What order should CanOpener be placed in the processing chain?
Ideally, CanOpener would be placed last in the processing chain on the master channel. If you’re not using CanOpener’s built-in dither, the processing order matters less, but CanOpener should still be near the end. If you are using a headphone EQ correction plugin that uses different profiles for the left & right channel, CanOpener should be placed in front of it.
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(N.B. You might be wondering: Why doesn’t the processing order matter that much? The answer: CanOpener is a linear processor — it’s the same reason why 2 + 3 = 5 and 3 + 2 = 5.)
Should I bounce/export my mix with CanOpener “On”?
No. CanOpener is part of your monitoring chain, not your mix. Bypass CanOpener when printing your final mix. If you are looking for a plugin to control the stereo field for creative purposes, vinyl mastering, etc., check our great Midside plugin.
What headphones should I use with CanOpener?
Any pair of headphones can be improved with CanOpener, but open-back headphones are usually the best for replicating the sound of loudspeakers. In general, they’re less fatiguing and sound more natural. Great open options are:
- Sennheiser HD600/HD650 ($320)
- Audeze LCD-X ($1,200)
- Audeze LCD-4 ($3,995)
- Sennheiser HD6XX ($220)
The headphone amp itself is also important, especially if you’re considering going completely headphone-only for monitoring. Though the DAC in your audio interface might be quite good, the onboard headphone amp is often less-than-stellar. Thinking about getting an external headphone amp? Here are a couple of the best options right now (in order of overall quality):
- Benchmark HPA4 ($3,000 street)
- Monolith THX AAA™ ($400 street)
- DROP + THX AAA™ 789 ($400 street)
- Little Labs Monotor ($540 street)
- Apogee Groove ($200 street, also a DAC)
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Description:
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Goodhertz is a company specializing in audio software, founded in early 2014.We are located in Southern California and have offices in Vermont and Seoul.We believe audio plugins should sound great and be easy to use.We specialize in creating the best audio plugins.
Can opener studio
Simulate the sound of high-quality speakers in the headphones.
Vulf Compressor
High-quality compressor, real “Himalayan pink sea salt” in mixing.He can change the direction of the song.It gives our songs a really great sound.
Megaverb
Inspired by the very first digital reverbs ever made, Megaverb is * the opposite * of high-tech, purity or realism – it has the atmosphere and character of the 1980s.Press the Digital Lofi button and you will hear digital noise, distortion, and bit reduction.Press the Lofi analog control and you will hear transistor distortion and analog crunch.
Tone control
A gorgeous, sleek oil equalizer with enough versatility for every track in your mix that enhances and reveals a classic tone.
Trem control
This is an inspiring 21st-century tremolo that recreates classics and enlivens the contemporary.
Last
Are you ready to nostalgic for the wonderful harmonics of the highly compressed digital sound that determined the sound of the drums in 2001?So, we created Lossy: an aesthetic artifact of highly compressed sound in real-time.
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Filter with parameters type, slope, resonance, saturation, automation, plus a limiter/saturator with analog modeling.
Faraday limiter
Limiter with bright, colorful dynamics and warm ribbon-like saturations, which has a fleshy, harmoniously saturated sound.It sounds great on individual instruments, vocals, dialogue, etc.and provides a high level of timbre formation and tonal coloring, which cannot be achieved with any other dynamic processor.
Panpot
Combines four different panning modes in one plugin that simply transforms stereo.It gives you full color for stereo audio signals.You can use it as you like: for realistic, hyper-realistic or completely unrealistic spatial effects.
Good dither
A dithering plugin that is very easy to work with.Set it to “Optimal,” and it optimizes the downgrade for any combination of bit depth and sample rate.
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Tilt-shift
A tilt equalizer that can dramatically change the tone and timbre of your sound – from soft and warm to crystal clear with a single slider, while the plugin adheres to the first mastering rule: do no harm.
Midsize
A plugin with a perfect balance between simplicity and power in mid / side processing.Use it on any stereo source;a plugin that quickly gets to the point, but does not skimp on the details;a plugin that achieves perfection with just a few controllers.
Midsize matrix
The light version of our famous Midside processor provides only the main points: a medium-sized matrix, gain, and monitoring – all in a simple, easy interface.
Wow control
The plugin is fully oriented to the modulation of analog tape and was designed to emulate three tape machines spanning three decades: every noise, every vibration, and every harmonic.
What’s new
- Added HQ Mode, Loudness Compensation, Safe Gain, Dither, and improved Crossfeed processing in CanOpener Studio.
- Added new Mixing / Mastering presets in CanOpener Studio.
- Added Sidechain Tilt providing tonal control in the sidechain signal of Vulf Compressor.
- Added new Sidechain Tilt presets in Vulf Compressor.
- Added selectable Random Seed in Wow Control.
- New UI color palette: Dark Mode!
- Improved bounce/export repeatability in various DAWs – now guaranteed to produce the same output after multiple processing passes.
- Improved A / B functionality – now retained after closing the UI.
- Improved various UI elements – typeface tweaks and enhanced HUDs.
- Improved animations and metering on Windows.
- Brand new French translations and additional language support in all plugins.
- Fixed an issue where switching presets in Vulf Compressor could cause silent output.
- Fixed preset locking behavior in Megaverb’s Pre-delay and Gate parameters.
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